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by Mary Grey
Chapter 7 from Redeeming the Dream. Feminism,
Redemption and Christian Tradition, SPCK, London 1989, pp. 126 - 152.
Republished with permission of the author who has the full copyright.
Professor Dr. Mary Grey has been lecturer at St. Marys College,
London, and visiting Professor in Feminist Theology at Nijmegen University in
the Netherlands. At present she is scholar in residence at Sarum College,
Salisbury, Visiting Professor Southampton University and Honorary Professor,
Lampeter, University of Wales.
A passion to make and make again where such
un-making reigns. Atonement from a Feminist Perspective
It is
now time to face the biggest challenge of all. The capacity to operate from
within the relational scene, to grasp the connected strands of interpersonal
relatedness, to link interior and exterior dimensions of being and acting as
well as the awareness of nonhuman aspects as sources of healing have been shown
as strengths, emerging from womens experience. Whether or not
historically all women have actually experienced this in their own lives at a
conscious level, they have often been holding alive all humanitys
yearning for deeper and more satisfying patterns of relating.
I
have argued that this dynamic quality of mutuality-in-relating can be part of
divine creative-redemptive energy in the process of world transformation. It
has also been seen as the driving energy in the life praxis of Jesus. But
whether it can function as a saving force, as soteriological, in the way the
traditional atonement theories were meant to, needs to be discovered. Whether
it can actually bear the weight of the guilt, evil and tragedy to which they
spoke, is far from being proved. In this chapter I will delve for positive
roots for this theory, before offering a new symbolism. Finally I will return
to the central cross symbol, asking whether it can continue to hold such a
powerful and unique position within contemporary Christianity.
But
first of all, if we keep the very word atonement it must be reimaged as
at-one-ment, as a fundamental drive to unity and wholeness, which itself
sparks off the creative-redemptive process. Not to do this would preserve the
lingering aspects of guilt and expiation which cling, limpet-like, to the
concept (with all the attendant difficulties already described). It would also
encourage the criticism that all I am doing is dredging up doctrine from the
silt of centuries and giving it a new coat of paint for the twentieth century
and the feminist movement, so that feminist Christians can rest content in the
Church, without questioning its symbol structure at the deepest level. A
t-one-ment itself is a metaphor which evokes the goal of mutuality and
the process of achieving it.
But
if my claim that this is a strand hidden within the tradition holds water, we
should be able to glimpse other examples of mutuality-in-relation in Christian
theology and living. I will bring three to light, and use them as building
blocks for my theory.
ATONEMENT IN PROCESS THOUGHT
The
argument unfolds within a relational world, the world of the systems theory of
interlocking, mutually dependent eco-systems described in Chapter 2. It unfolds
within a process world of the mutuality of divine and human becoming. So it
follows that the first building block will be process thought on atonement. It
is to the process thinkers that we owe the challenge to the traditional
theories that their focus was on everything but the dynamics of love:
What account would be given of atonement, wrote Daniel Day
Williams, if we were to interpret it from the standpoint of the most
realistic analogies we know to human love when it deals with broken
relationships and the consequent suffering?(1)
It is
belief that the focus of creation/redemption/atonement processes should be on
the healing of broken relationships which links the strength of the Greek
theory of atonement with the criticalliberationist perspective developed here.
The process thinkers provide a framework, even if a slightly woolly one, for
they do not sufficiently develop their own insights against the politico-social
structures.
But
it was not Daniel Day Williams so much as Bernard Meland who strikingly drew
attention to the unity of creation and redemption, insisting that to separate
the two would appear to set Jesus Christ above the God of creation and to
particularize faith in Jesus Christ to such an extent that the basic
unity of God with all fellow-creatures is weakened.(2) (This is a theme dwelt
on by feminist theologians and also by those who wrestle with the uniqueness of
Jesus Christ in the context of ecumenism and world-faiths.) If we hold together
this process, then atonement can be subsumed under the moreembracing, central
concept of redemption, which is, Meland writes perceptively, the renewal
of the creative act in human life by which the sensitive nature which is God is
made formative and fulfilling in our purpose. Whatever happens in life to
open up our natures to the tendernesses of life which are of God is
redemptive (my italics).(3)
Meland was particularly influenced by this idea of the tendernesses of God as
redemptive, says Daniel Day Williams.(4) Whiteheads work itself inspired
the theme: he saw that divine redemptive action. . . dwells in the tender
elements of the world, which, slowly and in quietness, operate by love, and it
finds purpose in the present immediacy of a kingdom not of this world . . .
Yet, where is this tenderness? Converted into jurisdiction, authority,
power-structures . . ."
Within a view of life seen as relational, these pastorally-concerned men saw
human becoming as response, redemption as being rescued from the structures of
individualism through the graced experience itself dependent on the sense of
being forgiven - of entering the dynamics of the relational situation, which
characterize every event.
The
redemptive event, like the creative event which fashioned form from chaos, is a
form-giving process, which will create meaning and purpose from the
apparent hopelessness, failure and brokenness which threaten to overwhelm us in
our personal and communal life. But it is not to be completely identified with
the evolutionary process. It is rather an emergence at the level of human
consciousness where there is a reaching out beyond egoistic satisfaction, or
gratification, to a qualitative meaning of unity deeper than the principle of
individual organization alone.
This
emergent redemptive meaning cannot happen at the level of evolutionary growth
alone because it can often be experienced as the very reversal of growth, as
the shattering of the self - an idea I have already questioned from
the point of view of womens experience. Here Meland means not so much a
shattering of the self as an attraction of the self towards a higher emergence
of form. This is the higher plane to which George Eliots Dorothea was
attracted when she attempted to rise above her own pain in an effort to help
others. In so doing she was co-operating with God in widening the skirts
of light - a mysticism of redemptive mutuality. In a way which
anticipated the feminist critique, Meland believed it was a mistake to rely on
Christ alone as mediator of grace, as this makes us totally dependent on
Christology (thus failing to claim our own power in relation). We also tend to
depreciate completely the structures of value contained in our own experience.
For example, we fail to discern who in our own life and world is redemptive and
liberating for us both as ideal and exemplar, and as subjectively
empowering-inmutuality. We are blind as to what resources are available to us
here and now as we struggle to claim divine creative grace for today. Could we
now rather look back to Christ, says Meland, as an irruption into history in
which the good that is in God and the tendernesses of abundant life came into
view? Thus the appeal to Christ as a source of faith in this grace he writes,
is a return to the concrete depths of his own existence, to the aperture
within our nature through which the good is made vivid and actual within
ourselves.(6)
With
this interpretation we can see that the Pauline expression of living in
Christ does not really mean a loss of self but a re-focusing of
self-consciousness around a higher centre of value. As we have seen, this
is a vital point for women, for whom identity with another has frequently
involved both a loss of and victimization of self. Just as female spirituality
tries to find accord between inner and outer modes of experience, between
bodily and spiritual dimensions, so redemption as Meland envisages it, only
advances as we feel into the situation with our bodies such that our
feeling self cries out in affection toward the right and the good, so that
the feeling of our bodies accords with our conscious awareness in relation to
ideas, facts, situations . . ."(7)
We
can even find here the beginnings of a theory of power-inrelation, although
Meland does not make the identification which Carter Heyward did with God as
power-in-relation. He sees clearly that power is an ingredient in the
relational situation, and can be misused for autonomous ends without
concern for the fact of relatedness. Yet in the Gospels power arises from
an internal ordering of relationships and, presupposing sensitivity, assumes
the magnitude of a great force. (This is what Carter Heyward had described as
the power which drives to justice and makes it.) In this
combination of sensitivity plus power is the creative possibility of a novel
condition of goodness in a particular relational encounter. This can then
become - in process terms - a new society of occasions. Meland
calls for more awareness for this kind of power, which he calls - with great
insight - a redemptive energy of faith which is the living force of the New
Creation.
It
might be ob jected at this point that such are Melands insights how does
the theory I develop add anything new? Have feminist ideas of mutuality already
been developed by process thinkers? But the problem with what Meland gives us -
with all its sensitivity and vision - is that he does not relate it to the
concrete structures of society. He does not enter the process of the radical
new naming of good and evil in their specificity. He has not seen where
the divine tendernesses are being kept alive, nor what are the dynamics
which crush them. Nor has he named, for example, the evil of sexism, which
conceals the fact that divine tenderness is barred from societys
structures as long as the myth of the eternal feminine sees tenderness as a
personal and private feminine quality to be exercised within the confines of
the home. If what Meland means by tenderness involves replacing the
ethic of individualistic egoism, the ethic of the success of a rich minority at
the expense of an impoverished majority, by the values of compassion and
justice and an alternative ethic of power, I can only concur. But this
needs far more than tenderness: it will also demand protest, action and the
raging of the stoic grandmothers!
Daniel Day Williams does take us further in his analysis of the human sin
addressed by atonement doctrines, though he sees the latter as a crude
hotchpotch of sacrificial and judicial analogies, no longer tenable today.
Consistent with the analysis I have been presenting, he sees sin as the
disruption of communion. He is aware of the two polarities of the becoming self
- of self-affirmation and integration - but he sees them both as aspects of the
will to communion. If the will to belong and to be in communion is the key to
all human action and feeling, then sin is a blockage of this. He would even see
the fury of hatred as born partly from the need to resist in the self what we
really crave for in love and communion.
But
what I find disappointing in his analysis is that, although he is aware of the
feminist analysis of sin as passivity, he does not integrate this into his view
of the differing nature of the conversion journeys and repentance which are
needed. Conversion he sees - influenced apparently by Niebuhr - as a
shattering of the self, particularly with regard to sexuality.(8) What is
wrong with sexuality as it is experienced by both men and women he does not
tell us. Nor does he explain - although aware of the tensions between the
polarities of autonomy and interdependence - what a detrimental effect the
imbalance in society between men and women has had on the possibilities of
mutuality between them. But as Williams writes, sin is not, as is often
thought, the overstressing of autonomy to the detriment of relatedness but the
assumption that our present state of selfhood is the total meaning of
existence, so that we refuse the deeper meaning which is both within and beyond
the present: here we are back again to sin as the great refusal, the blocking
of the relational grain of existence: When that refusal becomes refusal
to trust in the Giver of life, and the greater community He is creating, it is
sin . . .(9)
Williamss great strength is to see atonement as Gods great task of
reconciling love actually at work in the life and death of Jesus, so that his
suffering is not viewed as penal and sacrificial, but as bound up with
communication between persons. Jesus suffering both disclosed and opposed
evil, but also had a transforming power which enabled people to be changed, in
its revelation of a God who suffers with suffering humanity. (If God does not
suffer, Williams writes, then God is not involved with the profoundest
experience of human love: yet we should speak with great restraint of the
suffering God.)
It is
his conviction that the Church continues this divine work of atoning and
reconciling, which is at the same time the work of new creation. This prompts
me to ask whether the contemporary experience of psychotherapy should be
regarded as part of the process of at-one-ment which I am investigating.
ROOTS OF AT-ONE-MENT: THE PSYCHOTHERAPEUTIC PROCESS
At-one-ment based on the motif of the will to communion, or the dynamic of
mutually, has many similarities with the approach of psychotherapy: for
example, it also respects the interdependence of many factors, and gives
healing value to the quality of empathy.(10) As in the interpretation of Daniel
Day Williams, the atonement is seen as Gods work of reconciling love, so
that, while what happened in Jesus Christ does bring about real redemption,
this does not jeopardize Gods basic order and activity in the world.
Again, the traditional theories of atonement are found to be inadequate, and
the essence of the therapeutic relationship is described as the cure and change
(salvation/redemption) of brokenness in human relationship.(11)
The
human situation of lack of mutuality is termed by psychotherapy
incongruence, which can mean estrangement, death, bondage and
idolatry. (Here the description of the bondage of sin can be viewed as similar
to the Greek view of atonement/redemption which we have seen was typified by
Irenaeus.)
The
redemptive process according to this model is set in motion by the healing
relationship between client and therapist. This will depend on the empathic
acceptance of the client by the therapist. This vital factor is known as
organismic experiencing: The essence of this hoped-for
therapeutic change is the conscious experiencing and symbolizing of denied,
distorted, rejected and disowned feelings.12
The
concept of healing empathic acceptance between therapist and client, analogical
as it is of the larger structures of society, is appropriately symbolized by
the cross and resurrection dynamic, which manifests Gods feeling the
depths of sins destructiveness, Gods love overcoming hostility by
enduring it, but never losing the capacity to receive humanity into
relationship. So again there is a similarity with the classical Greek cosmic
view: this is because creative/redemptive processes are seen as unified - what
is typical of soteriological activity is typical of creative
activity. Also, sin, according to the psychotherapeutic view, is not so
much viewed as guilt to be expiated (the Latin view), but as bondage or
immaturity from which to be liberated. Browning even suggests that empathic
acceptance should constitute the image of God in humanity: The mature
man, he writes, . . . would know and understand himself as one
whose end is to enter into increasingly larger circles of concourse with the
events of the external world.(13)
Clearly this view helps us to see how the relational process can be redemptive.
It can àlso be understood as the key to the entire ministry of Jesus,
who offered a dynamic process by which a person could come to the experience of
healing and wholeness. The story of the healing of the blind man described in
Johns Gospel, chapter 9, would be an excellent example of this: Jesus
responds to the immediate needs of the man by healing him of his blindness in
such a way that his healing is at the same time a re-creation. (Anointing the
mans eyes with clay appears to be a deliberate symbolic gesture evoking
the creation story of Genesis.) The healing takes place in the context of other
relational needs: the mans parents, the blindness of the Pharisees, the
mans own spiritual needs. The climax of the story is the mans
confession of faith in Jesus as the Son of God and the revelation that the
truly blind are those who claim they can see, yet remain unflinching in their
moral myopic stance.
From
a- feminist critical point of view it must first be said that empathic
acceptance must be balanced by judgement which holds in tension both a
social/political analysis (14) and a humility before the reality of God. For we
cannot ignore the importance of authentic value judgements for God. The process
model (particularly of a feminist thinker like Marjorie Suchocki) shows how
that it is not only the acceptance by God of all our feelings and experiences -
including those of lack of self-worth - which is redemptive in itself, but the
redressing of the loss, and the transformation of these negative experiences
into alternative possibilities. After all, if redemption means anything at all,
it means the overcoming of these sinful structures which provoked the
breakdown of mutuality. But awareness as to our acceptability, despite our
failures and assurance of transformative possibilities, must involve
condemnation of sexist institutions and practices which secured our bondage in
the first place.
Another warning bell must be rung from a feminist point of view. The
womens movement has alerted our attention to the difficulties of
communication which many women experience with some male psychotherapists.
Womens anxieties have often been interpreted as neurotic and unhealthy.
Adequate language for their articulation of their fears has not been developed.
Again, it is mostly contemporary fiction which has begun to explore the dilemma
from a female point of view. For example, Marge Piercy in her novel Women at
the Edge of Time focuses on an alternative definition of madness.(15) Doris
Lessing, too, through the figure of Martha Quest exposes the superficial
approach of psychiatry which frequently offers drugs and hospitalization
instead of true healing:
Soon,
probably in the next decade, the truth would have to be admitted. It would be
admitted with a bad grace, be glossed over, softened. And just as we now say
They burned and drowned witches for a couple of centuries out of a
primitive and ignorant terror, soon we will be saying when they
stopped torturing and killing witches, they locked people with certain
capacities into lunatic asylums and told them they were freaks, and forced them
into conformity by varieties of torture.(16)
Thirdly, this discussion of what is normality raises the question whether the
therapeutic process under consideration addresses itself to the deeper problems
of the oppression of women. If the psychotherapist/counsellor/priest is himself
part of the oppressive structure, how is it possible that he will release the
subjugated knowledges referred to in Chapter 1, and the memories which will
enkindle the healing processes?
This
difficulty forces one to ask if atonement focusing solely on mutuality and the
healing of personal relationships can work without a radical social analysis.
This I will now investigate.
ROOTS OF AT-ONE-MENT: NINETEENTH- AND EARLY TWENTIETH-CENTURY THOUGHT
The
real question now to be explored is how much we have actually progressed, by
beginning to interpret atonement in terms of personal relationships.
Historically speaking, the concern for mutuality at the heart of Gods
redemptive process is found earlier than the work of both process thinkers and
psychotherapists. Pioneering work like that of Moberley,(17) Bushnell (18) and
Scott Lidgett (19) were important in the Anglo-Saxon world in drawing attention
away from the legal, forensic aspects of atonement to the realm of family
relationships. H. H. Farmer developed the personal model of atonement as the
polarization of the act which at the same time condemns and saves, judges and
forgives, always within a personal context.(20) Because family relationships
could now be reflected on in terms of reconciling love, because concepts of
parenthood were changing, so the reciprocity of relationality and the mutuality
of forgiveness became acceptable as an atonement model. Even the model of
encounter became popular as an image of atonement.
But
again we have to ring the warning bell. Bringing personal relationships to bear
on the atonement doctrine may not make much difference to the redemptive
possibilities for women. On the face of it, it seems very moving when a writer
like Horace Bushnell compares the atoning work of Christ to that of a mother
who bears all her childs pain and sickness in her own feeling, and takes
every opportunity for sacrifice as her own opportunity.(21) But this trend
towards feminization of nineteenth-century liberalism, says Ann Douglas, often
represents sentimentalizing tendencies, and does nothing to challenge the
stereotypical view of women: Strength, as essential to the genuine
feminine as to genuinely masculine social structures, is absent, weakness
itself, no matter how unintentionally, is finally extolled.(22) This
personalizing tendency itself had the consequence of pushing women further into
the private sphere, reemphasizing the qualities stressed by the myth of the
eternal feminine, even justifying womens exclusion from the priesthood on
the grounds of Christlikeness.(23)
On
the face of it, then, this concern for mutuality and the dynamics of personal
relationship seen as the work of reconciling love (as atone-ment) may seem to
be an enormous advance on the models described in Chapter 6; it has achieved
much in redeeming the very image of God from punitive and vengeful features,
and it touches the level of lived experience in its affective dimension. But
since the emphasis is on personal healing and wholeness, it leaves
untouched those structures of society and Church which prohibit the full
becoming of women in the first place. In fact, it may even reinforce their
inferior status, by emphasizing the healing value of relational strengths in
the private sphere.
So a
much more radical re-imaging of atonement images and symbols is required if we
are to create a language which speaks to the conscious and unconscious levels
which cry out for redemption.
FROM SUFFERING TO REDEMPTIVE WOMAN
Asher
Levs painting of his mother on a cross, the Christa of Edwina
Sandys, the murdered concubine of Judges 19 are all images of crucified and
suffering women. The abused women who huddle today in the refuges for battered
women know this reality only too well. Yet the crucifix in Christian
iconography symbolizes victory over suffering and death. What I am trying to do
here is to discover whether within Christian tradition there are any images of
suffering, crucified woman as a redemptive figure, to be associated with
the healing work of Christ. Can women bring forth redemption, Rosemary Ruether
asks, from their sufferings on the cross of patriarchy?(24) Can they imitate
and image Christ, in the sense of mimesis and methexis
(participation) expressed by the Greek model of Atonement? If there are saving
images to be discovered,
they
may be the key to the radical re-imaging of at-one-ment processes required
here. To see women participating actively in the redemptive process, not
as totally passive recipients, requires a new understanding of
cross/resurrection within this process.
So my
search is not at the level of the significance of the gender of Christ, but
whether the cross/resurrection event can be illuminated from a feminist
understanding of the dynamic of right relation, and whether, by embracing this
dynamic, human beings can be co-agents and co-creators of their own redemption.
I am not simply looking for examples of women in ministerial or disciple roles
- of which there are many - but examples of women responding to the Christ
event through redemptive mutuality, in a way which is both self-affirming, yet
self-transcending, which enables the voluntary assumption of suffering for the
sake of a higher ideal.
Many
early Christian writers witness that in the first two centuries of Christianity
men and women - even a woman slave - who became martyrs could be seen as other
Christs, Christ could be seen in our sister. There are two
outstanding examples of this. The first is of Blandina, who, during the agony
of her martyrdom, is described as alter Christus:
Now
Blandina, suspended on a stake, was exposed as food to wild beasts, which were
let against her. Even to look on her, as she hung, cross-wise, in earnest
prayer, wrought great eagerness in those who were contending, for in their
conflict they beheld with their outward eyes itl the form of their sister,
the One who was crucified for them (my italics).(25)
The
second example is interesting because it is the earliest Christian text of
female authorship - or at least partially so.(26) It is a protest
account of third-century Christianity which dramatically tells the story of the
persecution and martyrdom of Perpetua, daughter of a wealthy provincial of
North Africa, her slave Felicitas (who was eight months pregnant), Satyrus -
who was already baptized - and six others. The editors of this text see its
significance in its portrayal of martyrdom as a powerful symbol of human
liberation and self-fulfilment, and secondly, as demonstrating the emergence
within the Church of a prophetic movement in which women assumed
leadership roles indicative of a male/female equality unknown in later periods
of Christian history.(27)
It is
termed a protest account because it describes Perpetuas
objections to restrictive elements within third-century Carthaginian society,
which the editors take to mean her handing back her baby, so that she could
endure prison more easily, and her assertion of independence over against the
appeals of her old father. So, they say, Perpetuas liberation was
achieved through the transcending of the restrictions placed on female
sexuality. Non-violent protests and liberation they see as the two themes
characterizing her idealism. Similarly, they make great play out of the fact
that Perpetua reconciled herself to God without the medium of a priest and
generally seemed to be the instrument of her own salvation.
I
think the authors are mistaken in imposing twentieth-century standards of what
liberation means on a third-century text. Even without this, the
text speaks eloquently of the leadership qualities of Perpetual A small group
of newly-fledged Christians, in a prison situation, thrown back on their own
resources, had no choice but to be reconciled to God without a priest. In any
case, the distinction between cleric/lay was not so rigid, nor was the practice
of private confession to a priest - in an ecclesial sense - as well
developed as it became later.
The
glory of Perpetuas achievement is the redemptive role she played in
actively suffering for her chosen ideals. Perpetuas visions have
authority within her community, she has sufficient intercessory power to
release her brother from his sufferings, she enters into direct combat with the
powers of evil, and - what is notable for my theme - is the way that
mutuality-in-community is an outstanding motif of the story: Pudens, the
official in charge of the prison . . . admitted many prisoners to our cell, so
that we might mutually encourage each other (my italics).(28)
They
even managed to turn their final meal together into a Christian agape. Both
Perpetua and Felicitas are identified with the redemptive action of Christ, and
even in her last moments in the arena Perpetua is described as full of concern
for Felicitas (who was bruised) and as exhorting her brother and another
catechumen to remain strong in faith. Their death was thought of as a second
baptism, ritually prepared for by the kiss of peace. In her hour of trial she
is described as a true spouse of Christ, the darling of God.
Felicitass hour of grace is also particularly moving, and illustrates, as
does the story of Blandina, the powerful presence of Christ in the suffering
Christian. Felicitas had prayed that her baby be born early: if not, she would
not have been martyred with her companions, since the law forbade the execution
of pregnant women, and she would have been forced to die later, with common
criminals. In answer to prayer she found herself in labour:
Because of the additional pain of an early delivery she suffered greatly during
the birth and one of the prison guards taunted her: If youre
complaining now, what will you do when youre thrown to the wild
beast?
She
answered, Now it is I who suffer, but then another shall be in me, since
I am now suffering for him . (29)
Surely this is an echo of the Damascus vision of Paul, when the voice of Jesus
cried, Saul, Saul why persecutes" thou me? Felicitas in her
suffering is surely actively bearing up God in the world,
witnessing to the extraordinary identification of Christ with all who
voluntarily engage in redemptive suffering. She is depicted as passing from one
shedding of blood to another, from midwife to gladiator.
So,
although in the twentieth century we see redemptive categories as needing to
address socio-political categories, we do not achieve anything by imposing our
contemporary demands on the second and third centuries.(30) Their witness
carries its own power.
Other
examples of woman in redemptive, leadership roles against patriarchy are the
medieval saints such as Clare of Assisi who defied parents who wanted them to
make suitable marriages in order to follow what they believed God wanted them
to do. Catherine of Siena is an outstanding example of this. Not only did she
repeatedly refuse marriage, she also refused its alternative as a consecrated
virgin in a convent. For three years she lived out her chosen role in solitude
at home, until at twenty-one she began an external life amid the poor and sick
of Siena with a group called the mantellate, who wore habits but
lived in their own homes.(31)
Elizabeth Moltmann-Wendel has also claimed that the redemptive role played by
women in the early Christian community, in particular by Martha, Mary of
Bethany and Mary Magdalen,(32) endures in the brutality suffered by the
crucified woman as seen in medieval pictures. Said to have been married by her
father to a pagan husband whom she did not love, she betrothed herself to
Christ whom she asked to deform her by giving her a beard: whereupon her royal
father had her crucified. But, says Elizabeth Moltmann, the interesting thing
is that this figure with the beard and the long garment is remembered above all
in the Eastern Alps not as victim, but liberatrix, = female
liberator, and even now is treated as a legendary, painful, artistic
mistake.(33) What seems to block our appreciation of the liberating role
of women in the Christian tradition is partly the
artistic/literary/mythological canon that the hero/ saviour/redeemer figure is
automatically masculine, women appearing in the great myths only as
goddess-ex-machina figures, as temptress or earth-mother.(34) This
is why the insurrection of the subjugated knowledges becomes so
important. This is why it is vital to listen to the hidden cry, when the
sculpture Christa evokes a new element, that Christ will come
again, as a woman, a theme already part of Shaker belief:(35)
. .
. Today, Christ will come again as a woman, and she will change the female
image as a servant . . . If Christ will come again as a woman, she will work as
a labourer, as a farmer, and as a housewife of a lower-class family. She will
cry with all the women who are suffering under oppression politically,
socially, economically, religiously . . . After she will resurrect she will
appear to the oppressed children who could not leave from the Calvary of her
Cross.(36)
It is
this desperate plea from poor and oppressed women, who see themselves as
outside the healing power of the redemptive process, who see themselves as
un-affirmed by either Church or society - like the situation of black South
Africans who call for a new Moses which is the call for another
voice, that of the subjugated knowledges, still concealed on the margins.
What re-imaging of atone-ment will call these into the light?
RE-IMAGING AT-ONE-MENT: TO HELP THE EARTH DELIVER (37)
I
have used the passion to make and make again as inspirational for
this view of the process of at-one-ment. The first symbol I propose within the
re-imaging enterprise is that of the birthing of God, the
«eative energy for wholeness and transformation ceaselessly at work in
creation, to which much of the experience of women bears witness.
The
first point is that if we are in a position without power we have the
possibility of developing a spirituality of devotion and care in the most
ordinary of tasks, a sense of worth and reverence for the humblest of
activities: the care of a child, cooking a meal for friends, growing
vegetables, or simply a rootedness in the changing of the seasons. But we claim
these activities not as a retreat into the private sphere, but as important
human activities, with implications for the public, political sphere.
Yet
where the reverencing and hallowing of creation has occurred in history - for
example, quite recently, in Martin Bubers recovery of Hasidic mysticism -
it has often been in an idealizing manner, without the recognition of the
contribution which women are making.
Secondly, with this care for the humblest things, comes a spirituality of the
awareness of their possibility for transformation as we have already discussed
- in, for example, the wisdom of herbal lore, the many arts of healing, cooking
and growing plants, trees and flowers. The Findhorn Community in Scotland grows
vegetables of immense size and quality on windswept sand-dunes. In the desert
of the inner city people of vision transform bomb-sites into childrens
play-gardens.
But
these are only part of what is meant by the great symbol ofthe birthing
of God, which is at the same time the groaning of the universe in travail
(Rom. 8. 19-23). As Matthew Fox wrote, Birthing requires the refusal to
be victim, and it will help to bring an end to our long living with
violence (38) This is far from being a call for women to have more
children to save the world. Nor is it an over-glorification of motherhood at
the expense of fatherhood. What I am arguing is that as Christianity has now
had two thousand years of death symbolism, it is at least possible that
the slaughter perpetrated in the name of Christendom is related to its symbols
of death, blood-guilt and sacrifice, and that an alternative way of
encapsulating the redemptive events might stimulate more compassionate
lifestyles. The slave-traders, with their ships full of dying Africans, prayed
to the God of Christianity, as did the Crusaders on their way to sack the most
revered shrines in Constantinople. More recently, both sides engaged in the
struggle of two World Wars prayed for victory to the God of Jesus Christ. As
long as we carry on over-glorifying violent death, and using the cross event to
justify this, it is difficult to envisage any changed perceptions.
After
all, how are people changed? Where are the cracks of consciousness which make
people open to alternative values? Is it not possible, as Fox argues, that
Eros has the power to wake us up, to see passion happen again, feeling
return, hope and transcendence come alive . . . Here lie authentic conversions,
changes of heart, and work, and lifestyle, so that one becomes committed to
socialtransformation.(39) Perhaps this could this be the shift of
emphasis required from the overstressing of the cross event - mentioned earlier
in the work of theologians like Küng and Moltmann - so that broader
aspects of redemption have been overlooked.
Now
it should be clear why I have consistently argued in the last two chapters for
an interpretation of atonement which unifies the «eative and redemptive
moments. For if creation is about giving birth, then so is redemption,
transformation and, ultimately, at-onement. It is also the symbol which unites
divine and human activity. For creation is first of all about God giving birth
to myriad forms of mutuality, which go far beyond the merely human personal
categories. (Hence the insistence in Chapter 3 that Nature, too, mourns
for a lost good and is both subject and object of redemption.)
As
contrasting with a theology of authoritative power, transcendence, absolute
freedom and otherness, this birthing of God is an expression of Gods
fundamental being as interrelatedness. For in the beginning is the
interrelatedness. The idea has been given liturgical expression by Carter
Heyward:
In
the beginning was God,
In
the beginning was the source of all that is,
God
yearning
, God
moaning,
God
labouring,
God
giving birth,
God
rejoicing,
And
God loved what she had made.
And
God said, It is good.
And
God, knowing that all that is good is shared,
held
the earth tenderly in her arms.
God
yearned for relationship.
God
longed to share the good earth,
And
humanity was born in the yearning of God,
We
were born to share the earth.(40)
By
analogy, human birthing originates in the mutuality between man and women, and
itself creates new mutuality, between motherchild, child-parents,
family-vis-à-vis dhe wider community. But it is the woman who is
in travail for the new creation. The psychological and spirintual implications
of the birth-giving experiences of women have never been explored as a resource
for official theology.
Secondly, birthing is working, labouring. Thus the idea of divine activity
expressed in verbs rather than nouns - together with the notion of the female
self as relatedness (41) - is encapsulated by the activity of giving birth to
new forms of mutuality, as co-creating with God in cosmic creativity, which
Dorothee Soelle sees as the origin of the call to holiness. As Meister Eckhart
has written so expressively, From eternity to eternity God lies on a
maternity-bed giving birth What does God do all day long? God gives birth.(42)
Sara
Maidand has pointed out - in a moving passage which links creation, redemption
and atonement width the experience of women that what is often missing from
sentimentalizing accounts of childbirth is that it is painful, messy and hard
work:
Birthing is the creating of new life through hard work (labour) and blood. Of
course men do create life just as women do, and must be held to their
responsibility for this . . .; but they do it differently in joy and delight .
. . But God also brought new life, Gospel life to birth, stretched out for
hours on the Cross, autonomy removed by aggressive experts, the Eternal Word
reduced to wordless cries bleeding down into the dark, overwhelmed by the sense
of desolation . . . And afterwards the joy and the new life, the sense of
mystery and distance. It seems that the creative birthing of God as expressed
in Christs passion . . . can be given a deeper relating if we can learn
to hear as holy the bodily experiences of women, and trust the metaphor of
God the Mother (my italics).(43)
But
the metaphor of the birthing of God, far from being an invention of
feminist theologians to make the experience of women more prominent, is in fact
one of the hidden strands of our tradition which I am trying to reclaim.
Time
and time again it is descriptive in the Old Testament of Gods experience
with Gods child, Israel. Hosea (13.13) depicts the image of the sin of
Ephraim (Israel) being that of missing the chance of birth to new hope, the
failure of the delivery of the child. The prophet Micah uses the image of
Israel, daughter of Sion, as the image of the woman in travail (Mic. 4.10).
Isaiah, too, uses this image in the sense of the Day of the Lord, the day of
destruction, when dhey will anguish like a woman in labour (Isa. 13.8). The
same idea of labour pains brought on by dhe judgement of God is expressed by
Jeremiah (4.31). But a more important aspect of dhe image is Gods travail
in bringing forth Gods own people, a context of hope, even if also of
labour and struggle (Isa. 42.14-16). We can also link the birthgiving and
motherhood of God with that of women, using the metaphor of Jeremiah 31
(15-22):
A
voice is heard in Ramah,
Lamentation and bitter weeping.
Rachel is weeping for her children;
She
refuses to be comforted for her children, Because they are not.
This
is the passage quoted by Matthews Gospel (2.18) in the context of
Herods slaughter of the innocent children. The development of this
metaphor has been traced by Phyllis Trible.(44) Here the motherhood of women is
contrasted with that of God. Rachel is the ancestral human mother, lamenting
from her grave the subsequent death of her children. Directed to no one
in particular, and hence to all who may hear, the voice of Rachel travels
across the land, and through the ages to permeate existence with a suffering
that not even death can relieve, writes Phyllis Trible.(45) The
suggestion is conveyed in v. 20 that Ephraim, the darling child of Jahweh, is
also the child for whom Rachel weeps, and that God is sharing the mothers
suffering. Remembering the child is the hope for Rachels future. The
triumphant climax of the story is where we move from the desolate lamentations
of Rachel to the redemptive compassion of God. Male Israel becomes female
Israel and there is an act of new creation:
For
the Lord has created a new thing on the earth: a woman protects a man. (Jer.
31.22b) (46)
Secondly, the image of motherhood(47) as linked with the birthing of new
creation and the redemptive task of women is continued in the New Testament, in
the context of hope and the breaking in of the Kingdom of God. It is most
clearly seen in John 16.21-22, where Jesus explicitly makes use of the
intertwining of the sorrow/joy motif as image of the birthing of the Kingdom,
suggesting the theme of the present sufferings as the birth pangs of the new
creation. If the birthing of the world issues from the compassion of God, then
this is another dimension of the motherhood of God manifested by Jesus, a theme
explored by many female writers from Julian of Norwich onward.(48)
Thirdly, one of the most startling images of the Book of Revelation is the
woman in travail. The woman is depicted as delivering the divine child of the
new creation - the anti-type of the harlot in the desert - who stands over
against the forces of evil, symbolized by the dragon. But to whom does the
woman refer? Frances Young asks whether any precise application should be
sought: Is it Mary? Is it Jerusalem? Who is it? Maybe precision of that
sort is not intended maybe the emphasis is on the birth taking place, the fact
of hope beyond the anguish, that judgement is not the end.(49)
The
woman of the Book of Revelation is a redemptive figure in two different ways.
She gives birth to the child of new creation. But she is also in sympathy with
nature, symbolizing the holy connectedness of all things. For the wilderness
for the woman is not a place of desolation, but a place of nourishment and
solace, prepared by God. The earth also comes to her rescue in swallowing the
river which had issued from the dragons mouth. (The theme of the affinity
between woman and earth is reminiscent of the Psyche-Eros myth and has been
given a new impetus by the feminist ecological movement.) That the woman does
not need to slay the dragon is also interesting and has been commented on by
Elizabeth Moltmann-Wendel in connection with the legend of Martha and the
dragon of Tarascon in south west France.(50) Perhaps what women are showing is
that it is possible to cope with evil forces without killing.
Taking all these images together we are confronted by a powerful symbol which
takes us far beyond - yet includes - the physiological aspects, comprehending
the vulnerability and letting-go of relationality, the basic organic
interdependence of all forms of living, as well as a realistic confrontation
with evil and suffering. But it is the creation of new forms of mutuality
through life-giving processes, not through death and destruction, which
is its strength. It is not an obsessive focus on mothering, or a
re-identification of women with bodily roles.
But
what is difficult to understand is why this symbol needed reclaiming from the
Christian tradition. If we could understand why violence and death symbolism
has always been more influential in Christendom, its imagery believed to have
more saving potential, we might also understand much more why evil has such a
powerful grip over human beings.
RE-IMAGING AT-ONE-MENT: THE LOSS OF A SYMBOL
Creative images of birth-giving seemed to have lacked influence in Christianity
- apart from a kind of sentimentalizing crib-mystique at Christmas - while in
symbols of military destruction (Onward Christian soldiers) have
always achieved prominence. This fact deserves consideration. It is easy to see
that, once Christianity became accepted in the Roman Empire after the Edict of
Milan in 314 AD, the emphasis on military conquest, and the continuing
legitimization of the subordinate role of women, would mean that any imagery
issuing from female experience would hardly be seen as significant. Also, the
gradual loss on the part of women of any formative role in the mainstream
Christian tradition or of influence in theologizing or ecclesial
decision-making, with a few notable exceptions, would remove childbirth as a
suitable symbol of faith. (The veneration of the Virgin Mary giving birth to
Jesus has not helped the ordinary woman, since it was emphasized at an early
date that this birth was miraculous, extraordinary and pain-free.(51) Yet the
level of interest in the birth of Jesus has always remained high, at a popular
level.)
It
was precisely the physical, messy and laborious nature of childbirth which did
not appeal to any spiritualizing tendency in theology. It belonged strictly to
a womans world, and was part of womans socially-sanctioned
subordination, vulnerability and procreative obligation - an inferior role
compared with that of managing external affairs. The only exception to this was
- and is - in royal circles, when a monarch, desperate for an heir to the
throne, took excessive interest in his wifes pregnancy and
childbirth.(52)
It is
also true that in industrial and post-industrial countries the very experience
of childbirth has frequently ceased to be a creative experience for women,
because of the over-use of drugs and medication, and the reduction of the
active participation of women owing to the control of childbirth by the medical
experts, a problem which healthier attitudes are trying to
redress.(53) Women have also suffered from the way the Church took over the
legacy of the Old Testament as to the pollution of childbirth and consequent
obligation for the ecclesiastical purification of the mother, which was the
case in the Roman Catholic Church in England and Ireland before the Second
Vatican Council, even when the cultural reason for it no longer existed. In how
many homes did it happen, sadly, that a mother could not be present at her
babys baptism, because she had not been well enough to be
churched, and the obligation for infant baptism meant there was no
possibility of waiting?
Yet
the Jewish practice of purification - based on Leviticus 12.2-4 - did not
itself derive from any moral criticism of the experience of childbirth,
or of sexual intercourse: the practice seems rather to stem from the fear and
consequent taboo over loss of blood, which signified loss of vitality:
The womans vitality, linked with her blood, was diminished by
childbirth, and by that token she was objectively separated from Jahweh, the
source of life, until her integrity was restored.(54)
While
it may be true that the liturgical practice ofchurching for women
in Christianity was not based on the supposed uncleanness of childbirth, when
coupled with the devaluing of women, and a certain exegesis of Genesis 3.16 -
where the pains of childbirth are seen as punishment for the Fall - the effect
has been to devalue both bringing-to-birth as a theological image and also the
bodily experiences of women in general. Yet one cannot go to the extremes of
Mary Daly and Adrienne Rich - The screams of the woman in childbirth were
for the glory of God the Father (55) - since a more careful reading of
the biblical texts shows a shared responsibility for sin: Humanity brings
the disaster of distorted relationships upon itself.(56)
A
more serious implication of the reclamation of the birthing image as central to
theology is Mary Dalys criticism that this is in sharp conflict with
Christianitys most important symbol, the death/rebirth symbol of baptism.
Patriarchy, she claims, has robbed us of our birthing energies, and cultural
rebirthing in a patriarchal sense involves death.(57) This would mean that
Jesus command, Unless one is born of water and the Spirit, he
cannot enter the kingdom of God. That which is born of the flesh is flesh, and
that which is born of the Spirit is spirit. (John 3.5-ó) was
actually a despising of being-born-of-woman. For Daly the solution is not
rebirth or baptism by the Fathers surrogates, for it is this socialized
rebirth which is the captivity from which we are trying to escape:
Radical feminism is not reconciliation with the Father. It begins with
saying No to the Father . . . Radical feminism means saying
Yes to our original birth.(58)
Feminist writers often try to strengthen this case by appealing to primitive
tribal customs, through initiation rites involving a death motif and a
separation from the mother,(59) or with examples of ritual killing symbolizing
initiation, rebirth or sacrificial ritual. Thus Nancy Jay has written:
The
only action that is as serious as giving birth which can act as a
counterbalance to it, is killing. This is one way to interpret the common
sacrificial metaphors of birth and rebirth, or birth done better, on purpose
and on a more spiritual, more exalted level than mothers can do it.(60)
Patriarchys insistence on the death-motif is seen by some - like Carol
Gilligan - as illustrated by Gods insistence on Abrahams killing of
Isaac (Gen. 22. 12), in spite of recent exegesis suggesting the story is
Jahwehs forbidding of child-sacrifices, in contrast to the
practices of other ancient Near Eastern tribes! The link has even been made by
Mary Condren between the patriarchal death-motif and the Anselmian atonement
theory as submission to the will of the Father:
Submission is pushed so far . . . that we were taught we must be willing to be
damned - for the glory of God! Why should so much mental activity have stopped
there, and not inquired what glory there was in an omnipotent being torturing
forever a puny little creature who could in no way defend himself? Would it be
to the glory of man to fry ants?(ó1)
I
have developed this point at length to show how it is so easy, when trying to
redress an injustice, to go off at a tangent to the other extreme. In the first
place, we cannot take on board, uncritically, analogies from other cultures,
assuming they have a direct equivalence for Christianitys images and
symbols. (Mircea Eliade himself has been criticized for over-identifying the
Christian rites of initiation with, for example, the rites of Sioux Indians or
Aborigines, where a ritual death element and a separation from the mother are
involved.) Clearly, Pauls theology of death and rebirth (seen in Romans
6) as the meaning of Christian baptism was influenced by the mystery religions
of the time. But though Paul used the motifs taken from them, he did not
identify baptism with them. Christianity was always seen as totally new and
distinct. (In any case this was not his first image of baptism - and it remains
one among many.)
Nor
can Jesus be realistically accused of robbing women of birthing energies: he
would hardly have used the image of childbirth as illustrative of the
in-breaking of the Kingdom if this was the case. There has never been any
suggestion in Christianity that there is something deficient about human
birthing: on the contrary, the human birth of Jesus has been understood as a
validation of humanity - this despite the tradition that it did not affect the
virginity of his mother Mary. There is possibly some truth in the argument that
it is womens involvement in childbirth which precludes them from
ministerial roles at the altar: but this cannot be the whole truth, since there
are so many celibate, theologically wellqualified women who - in the Catholic
Church at least - are equally unjustifiably barred from the altar. I think the
truth to which these accusations are pointing - though in Dalys case in a
crude, exaggerated way - is that there is a widespread glorification of war-
imagery, war-games, a tendency to settle all disputes through violence and
retaliation, a general callousness over loss of human life, and Christianity
has in fact been used to sanction this ethic of violence - as, for example,
when Cardinal Cushing blessed the bombers which went off to Vietnam in the
sixties.
It is
to reclaim the rightful place for the creative image of birthing as link
between womens experience and redemption that I explore further its
relationship with conflict, suffering, death, and the cross.
RE-IMAGING AT-ONE-MENT: ALTERNATIVE MEANINGS OF DEATH
But
the second reason for reclaiming the symbol of birthing from the tradition is
that we are given alternative ways to experience conflict and even death.
Female writers have often been able to grasp the pain and conflict at the heart
of the creation process. Simone Weil, for example, rightly grasped the
interwoven themes of creation and passion: Gods creative love which
maintains us in existence, she wrote,
is
not merely a super-abundance of generosity, it is also renunciation and
sacrifice. Not only the Passion, but the creation itself is a renunciation and
sacrifice on the part of God. The Passion itself is simply its consummation.
God already devoids himself of his divinity by the Creation . . . Through love
he abandons them to affliction and sin. For if he did not abandon them he would
not exist. His presence would annul their existence as a flame kills a
butterfly.(62)
Here
Weil rightly grasps the suffering love of God for creation, even if there is a
masochistic element in her spirituality. It is now well known that it was
excessive, body-denying asceticism which attracted her: but the language of
love is not the language of abandonment, and, as her biographer tells us,
though Weil experienced the love of God in affliction, she manifested very
ambiguous feelings with regard to creation.(63)
It is
birthing as including these dimensions of painful, suffering love which is
crucial here, for within it we have a paradigm of conflict which can be
redemptive. Within the experience is given both joy and an acceptance of pain.
So we have an alternative to victory through violence: as the medieval mystic,
Hildegarde of Bingen, cried, God was able to conquer, without even using
a warrior!(64) If we push this image more deeply, we can see that through
birthing as an image of creative mutuality there is the possibility of an
honest coming to terms with the polarities of good and evil, light and
darkness. God, on this interpretation of atonement, is, writes Frances Young,
submitting to the pain and travail, so that by means of the labour a new
world may be born.(65)
There
is also a recognition that in birth-giving and co-creation change is entailed
for all concerned. A mother is changed by the birth of each child, as is the
relationship of father and mother, and the wider groupings. It is not simply
emotional changes, but changes of lifestyle which call for social organization.
This points to a mutual change, growth and development of both God and world,
through co-creating and co-suffering. Thus the kind and quality of relating
will be the key to all change - for example, as to whether parents experience
the leaving home of children as pain and loss, or as a means of moving to a
new, qualitative kind of relationship.
Mutual change in relating is also explored by Dorothee Soelle, with reference
to the consequences of choice for Adam and Eve in the creation myth:
Adam and Eve are now confronted with the consequences of being
workers and lovers. And because they have changed through their
courageous step, God, the relational being also changes. God moves from
parenthood to companionship . . . In spite of their failure to obey the
commanding voice of the parental God . . . God supports them and makes clothes
for them.(66)
But
it is in the re-imaging of death that the symbol offers most hope. Because fear
of death haunts most people, they cling to the image of Christ on the cross as
model of endurance. But suppose there was another way to see this which used
the images of birth, change, transformation. Instead of taking the image of
victory over death, the Christus Victor symbol of Jesus, innocent
lamb, delivered up to slaughter as ransom payment, to be the predominant means
of atonement, suppose we try to see if there are other transformative
possibilities, based on the image of birth.(67)
Carol
Ochs suggests the image of death as a disintegration, a falling-apart: We
have felt the horror of falling apart, of a lack of a sense of self, of a fear
that the centre will not hold - or that there may be no centre, no integrating
pattern, no self.68 This disintegration is the opposite experience of
being held as an infant. It can be experienced physically,
socially, psychologically, ethically or in other realms. Too often it is the
psychological experience of women overwhelmed by patriarchal consciousness,
literally by the sensation of being no-thing. In Chapter 4 I
discussed the feminist dark night in this context, the
disintegration experienced when all current values of sociey are experienced as
empty and oppressive, there is alienation from the environment and only
abandonment seems real. Yet Eckhart felt that the letting go
process (Abgeschiedenheit) was a vital part of the mystical journey.
In
the birthing experience we are given a letting goof self- in pain
and struggle - for the creation of new being. We are given the sense of our
physical bodies falling or even being torn apart. We have lost our
centred self. Nobody can reach us in this struggle, neither
husband, lover, nor parent. We are in the dark, alone, in that primeval womb of
chaos from which all life emerged. And yet, in that very darkness we can meet
God as creative centre. We are held by that nurturing centre: from this
being-torn-apart, this sense of loss, together You and I wordlessly create new
life. And there will be integrity once more, and new sources of trust . . .
The
second image of death is separation. It is a powerful symbol, with many
expressions, ranging from the infants separation from its mother, to the
criminals expulsion from the communiy, the physical experience of being
separated by distance or imprisonment, the psychological experience of being
estranged, alienated, even from all feeling (as was Atwoods protagonist)
or sense of authentic self. This was the separation we discussed in Chapter 4
with the attempts of Martha Quest to recover, to re-member, this
lost self. It is the separation of death which is its greatest and most dreaded
obstacle. To be separated from all that we love. Even to have to detach from
the smallest physical joys of everyday - a cup of coffee, watching the night
sky . . . Separation is a theme which is prominent in the myths. Hansel and
Gretel tells the story of two childrens attempts to leave their parents
and face the conflicts of the world. Yet separation which threatens life is
also essential for life. If Carol Gilligans analysis is correct, because
of the way we have constructed society, men develop through separation, women
through relation and intimacy. But so much of the separation demanded by sociey
- through boarding school and institution, for example - can be developmentally
harmful for the young child. If the opposite of separation is a life-giving
connection (a quaky developed by womens spirituality), if the systems
view that all things are interconnected is likewise true, then we are given
tremendous hope. For holding together the pain of loss and separation is the
deeply-felt experience of interdependence and community. The more we love and
are interconnected, the more we suffer separation. Hence grief and mourning,
given ritual expression at funerals, are a sign of how much we value the
materiality of creation. Demeter mourns Persephone, Rachel weeps for her
children - and it has been socially acceptable for women to grieve publicly in
a way disapproved of for men. But to spiritualize away our grief by seeing
ultimate realiy in an otherworldly sense, death as welcome release from
burdensome physical existence, seriously undervalues the whole created world.
I see
the death of Jesus as being a tremendous affirmation of interconnection and
presence. The separation was essential - If I go not, the Paraclete will
not come to you- because he had pushed his values to the limit which his
present world would endure - but Jesus stresses connection and new forms of
connectedness again and again, to be released in the very process of dying. He
wanted to be remembered, cup in hand, celebrating: Do this in memory of
me. He will be with them to the end of the world, and his concern reaches
out to those he leaves behind: Daughters of Jerusalem, weep not for me,
but for yourselves and for your children. Forgiveness and mutuality are
the qualities of relating even as he hangs from the cross. Even that last
terrible, desolate cry of separation from the very source of his being (Mark
15.34), was the means of releasing a new enduring form of relating to the
world.
The
third image is that of stasis - the stillness and changelessness of death, the
absence of growth, change and development. People fear death because life is
irreversibly cut off: they feel they have been cheated of old age, wealth,
foreign travel . . . The masculine heroes of the myths achieve things - they
win kingdoms, the hand of the beautiful princess, slay dragons, overcome
obstacles . . . Or today they become directors of multi-nationals . . .
Unemployment, illness and death are all dreaded as stasis, inactiviy. But, says
Robert Lifton, not all stillness is death. Some of it is quiet, deep
centredness, a reaching down, instead of a thrashing around . . . The real
distinction between the animate and the inanimate lies not in motion and
stasis, but in the source of the motion.(69)
Re-image the death of stasis as the stillness of waiting - I
said to my soul, be still - the focused waiting and attentiveness
discussed earlier. Re-image this as mythic time spent in the underworld, the
work of winter, re-sourcing, re-covering roots, holding things together,
awaiting the birth of a new idea, opportunity, without preempting its nature:
as Adrienne Rich has said,
Are
we all in training for something we dont name?
To exact reparation
for things
Done long ago to us and to those who did not
survive what
was done to them....(70)
This
is to confront death-in-life as change, loss, pain - but also as growth,
connection and transformation. It is to experience death as part of the
gracious process, because the creative becoming of God is intertwined with the
process as relational source and ultimate destination.
RE-IMAGING THE LIFE-PRAXIS OF JESUS AS ATONEMENT
Instead of giving prominence to such traditional atonement symbols of Christ as
victor, High Priest, Victim and Prime Exemplar, or replacing them with the
androgynous Christ of Mother Julian of Norwich or Mary Baker Eddy,
because ultimately these too are ambivalent as the contribution of the
female,(71) we begin by discerning and assuming responsibility for the evil of
the present moment. If we see the truth of Jesus Christ as relational then the
norm of love of neighbour assumes a priority in such a way as to make incarnate
Gods creative power.(72) And this is redemption. Christology, says
David Shields, must be related to a dynamic, present, incarnational reality,
as women name and create a new reality out of the tomb of
patriarchy.(73)
The
symbol of Christ the Redeemer will now take its place among our chosen symbols
and images of the divine - and these will be imagery drawn from female
experience. This stress on present incarnational reality, though continually
given prominence by feminist theologians, is also in keeping with the way many
contemporary Christologies have reacted to insights from anthropology and human
experience. This means giving up Christocentrism because so many
groups of people - women, Jews, ethnic minorities, the sexually alienated and
other world faiths - are pushed to the margins by the Churchs insistence
that the actions of the historical Jesus are at the centre of all things. The
danger with Christs once-for-allness is that it has a tendency to
stop history and to undermine present relational responsibility, to
disempower us from claiming power in relation. The pattern for a relational
understanding is one where we are all caught up with God in a process of
redemption. And this was the very pattern of the praxis of Jesus, a man
who lived within the ambience of this relational power, deep in relationship
with the creative source of that power, committed to the incarnating of this
creative re-sourcing, which continually gave birth to the Kingdom of God. If
this relational lifepraxis is salvific it is because this is the basic pattern
of the world, and because, through the passionate breakthrough we call
resurrection, relational energy was released for those open to it.
But
to say that the life-praxis of Jesus was purely exemplary as to what are
the possibilities for power-in-relationship is both to draw us back to an
impoverished understanding of an exemplary theory of atonement, as well as to
underestimate the way a relational Trinitarian God is acting in the
present. A feminist theology of interconnectedness makes it possible to hold
together the relational being of God with human activity as co-creating,
co-redeeming, together with the worlds own inner healing resources, with
which, in sensitivity, we can harmonize.
So
the static image of Jesus as perfect man, ultimate symbol of redemption, gives
way to the image of the Body of Christ, enfleshed by a relational
Christology which opens us to recognize the way in which human connectedness
brings God to the world.(74) It could be that the feminist understanding
of the relational self, the embodied and centred self, is adding a fresh
understanding to the enfleshed nature of the Body of Christ (which I explore
from a sa«amental visionary point of view in the final chapter).
What,
then, remains of the cross as central symbol of at-one-ment in such a
relational understanding? If we move away from patriarchal preoccupation with
death and destruction, alienation and estrangement, from images of the God who
sends his Son to die, pointing the way to eternal life through «ucifixion
and death, replacing this with symbols of giving birth to new creation, of
connection through separation, growth through stasis, integration through
falling apart, healing through mutuality, compassion and solidarity, what need
is there for cross as central symbol?
The
cross of Jesus, with its arms extending as unifying the vertical with
horizontal, the conscious with unconscious dimensions, the cross which for the
Jewish painter Marc Chagall could symbolize the hope of the first Exodus and
the tragedy of the Holocaust, will remain central. But its symbolic nexus will
change. It will not be simply a reservoir for all pain, as Frances
Young called it,(75) but a life-affirming protest against the injustice of all
torture and crucifixions. We need this symbol to keep alive the memory of the
redemptive, relational power at the heart of existence, enfleshed by the whole
cross event. But it will also call to mind the forgotten stories - which
Elizabeth Schüssler-Fiorenza wished to reclaim - of all women and young
girls who continue to be abused and battered under oppressive systems, the
stories of all children, women and men whose suffering the world has not yet
even begun to contemplate. To atone means to keep their memory alive, to mourn
their sufferings, but also to see the crucified and risen Jesus as empowering
hope that crucifed woman may yet be redemptive woman.
As long as we still struggle within alienated consciousness, with renewed
creation as yet unborn, we need such a symbol.
Secondly, the cross as symbol of at-one-ment is a call to us to take up our
responsibility to be co-sufferers, co-redeemers and co- creators - to stand in
solidarity to prevent further crucifixions. The cross as sign of contradiction
is an empowering symbol towards the at-one-ment of mutuality which is both the
process and the end of the process. With this symbol of the Christ of mutuality
and relationality we are enabled to name our human brokenness, the
disintegration of the wounded earth, our deepest yearnings for healing and
becoming whole. We are enabled to see the Body of Christ as the body of our
mutuality. Images of pain become images of redeeming hope.
To
remember the empowering actions of Jesus thrusts us both to the estranged
relational scene of the present, and to the creative envisioning of a
transformed future, when the travail of nature will know, with deep ecological
wisdom, that the time is right, and, at last, the long labour is over and the
earth can deliver.
Footnotes. Chapter 7: A Passion to make and make again
1
Daniel Day Williams, The Spirit and the Forms of Love (Welwyn, Herts,
James Nisbet, 1968), p. 40. Thevalue of Williams thought is the depth of
his pastoral experience and thus the depth of analysis he gives to the model of
reconciling love, as well as his constant adherence to the process model,
though willing to transcend it where necessary. His rootedness within the
biblical tradition and his refusal to underestimate the problem of evil are
also notable. These points are made by J. McQuarrie, Process and Faith:
An American Testimony, in Thinking about God London, SCM, 1975),
pp. 21-20. To this I would add, the sensitivity and concern with which Williams
writes.
2 B.
E. Meland, Analogy and Myth in Post-Liberal Theology, in process
Philosophy and Christian Thought, eds. Delwin Brown, Ralph E. James Jr, and
Gene Reeves (Indianapolis, Bobbs Merrill Co,1971), pp.116-27.
3
Meland, Faith and Culture (Chicago, Illinois Univ. Press, 1955), p. 176.
4 D.
D. Williams, Time, Progress and the Kingdom of God, in
Cods Crace and Mans Hope, San Francisco, Harper and Row,
1949.
5 A.
N. Whitehead, Process and Reality, (Cambridge, Macmillan, 1929), p. 520.
See alsoAdventures of Ideas (New York, Macmillan, 1933), p.133.
6 B.
Meland, Faith and Culture (Chicago, Illinois University Press, 1955), p.
184.
7
ibid., p. 187.
8 D.
D. Williams, The Spirit and the Forms of Love, op. cit., p. 240.
9
ibid., p. 207.
10
See, for example, the systems theory of Murray Bowen, Family Therapy in a
Clinical Practice, New York, Aronson, 1978. This is related to the
atonement doarine of Leander S. Harding, The Atonement and
Psychotherapy, in Anglican Theological Review, vol. [xvii, no. I
(1985), pp. 46-57.
11.
Here I follow the thematic analysis of Don. S. Browning, The Atonement and
Psychotherapy, Philadelphia, Fortress Press, 1966. He is very influenced by
Carl Rogers, Client-centred Therapy, London, Constable and Co., 1951,
with its insistence on the importance of four faaors. These are the
actualization tendency, the organismic valuing process, congruence, and the
need for positive regard.
12
Browning, op. cit., p. 121. Rogers gives fifteen outcomes of the therapeutic
process, ranging from the liberation from the self of deeper actualization
tendencies of the organism, to the increase of positive response and acceptance
of others (ibid., p. 128).
13
Browning, op. cit., p. 197.
14
This criticism is also made by other process thinkers, including Lewis Ford,
The Lure of Cod: A Biblical Background to Process Theism (Philadelphia,
University Press of America, 1978), pp. 87ff. I have omitted both Freudian and
Jungian perspectives from this seaion because (1) these analyses are already
very well-known, and (2) Brownings model fits very well with the process
model and the model of mutuality which I develop. A recent work which attempts
to link the psychotherapeutic process with the Christian healing and redemptive
process is Scott Peck, People of the Lie - the Hope for Healing Human Evil,
New York, Touchstone, 1983.
15
Marge Piercy, Women at the Edge of Time, New York, Fawcett, 1976.
16
Doris Lessing, The Four Cated City (London, Grafton Books, 1972), p.
516. There are beginning to be contemporary explorations and questionings of
the boundaries of madness. For example, R. D. Laing, The Divided Self: An
Existential Study of Madness, London, Pelican, 1972; and, from a feminist
point of view, Elaine Showalter, The Female Malady, Women, Madness and the
English Cuäure, 1830-1980, London, Virago, 1987.
17 R.
C. Moberley, A tonement and Personality, London, Longmans, Green and
Co., 1901.
18 H.
Bushnell, The Vicarious Sacrifice, 2 vols, London and New York, 1866.
19 J.
Scott-Lidgett, The Spiritual Principle of the Atonement, London,
1897.
20 H.
H. Farmer, The World and Cod, Welwyn, Herts, James Nisbet, 1955.
21 H.
S. Smith, ea., Horace Bushnell, New York, 1965.
22
Ann Douglas, The Feminization of American Culture, New York, Knopf,
1977.
23
See H. Bushnell, Womens Suffrage: Reform against Nature (New York,
Charles Scribner, 1869), p. 66. The same argument, as was pointed out by Susan
Brooks Thistlethwaite, Metaphors for Contemporary Church (New York,
Pilgrim Press, 1983), p. 85, also restrias the Church itself to
operating on a private sphere.
24
Rosemary Ruether, Woman-Cuides (Boston, Beacon, 1985), p. 104.
25 H.
Musurillo, ea., Acts of the Martyrs of Lyons and Vienne, in TheA
cts of the Chnstian Martyrs (Oxford, 1912), p. 75.
26
See P. Wilson-Kastner and G. R. Kastner et al. eds, The Martyrdom
of Perpetua: A Protest Account of Early Christianity, in A Lost
Tradition: Women Writers of theEarly Church (Washington DC, University
Press of America, 1981), pp. 1-32.
27
ibid., p. 3.
28
ibid., p. 27.
29
ibid., p. 27.
30
Unfortunately, Rosemary Ruether does this, in describing the relationship
between Christianity and the establishment. She argues (Woman-Cuides, p.
109), that the unity of creation/redemption itself carries a danger - for
Christ needs to be set over-against the oppressive structures of society,
otherwise Christology would be sucked back into a world view which sacralizes
sexism, imperialism and slavery, seeing them as the order of
creation. Yet, in the argument I develop, I see the identity between
creation and redemption not as sacralizing secular struaures, but as
transforming them.
31.
Mary E. Giles, ea., The Feminist Mystic (New York, Crossroads, 1982), p.
7.
32.
See Eizabeth Moltmann-Wendel, The Women around Jesus (London, SCM,
1982).
33.
Elizabeth Moltmann-Wendel, A Land Flowing, op. cit., p. 132.
34.
This has been well argued by Carol Pearson and Katherine Pope, The Female
Hero in American and British Literature, New York, Bowker, 1981.
35
See The Testimony of Christs Second Coming ( 1856), quoted in
Rosemary Ruether, Woman-Cuides, op. cit., pp. 127-31.
36
The words of Chung Sook Ja, a feminist minister from Korea, Reflections
on the Christa from a Theological Educator, in Reflections on the
Christa, ed. Edwina Hunter, in.Journal of Women in Religion, 4
February 1985, p. 48.
37
Adrienne Rich, Natural Resources, in The Dream of a Common
Language (New York amd London, W. & W. Norton, 1978), pp. 65-66.
38
Matthew Fox, Original Blessing (Santa Fe, NM, Bear and Co., 1981), p.
195.
39.
ibid., pp. 286-92.
40
Isabel Carter Heyward, Blessing the Bread: A Litany, in
OurPassion for Justice (New York, Pilgrim Press, 1984), pp. 49-51.
41
The idea of the being of God as relatedness is developed by Dorothee Soelle,
To Work and To Love, Philadelphia, Fortress, 1984. See p. 46: I am
struck by the fact that verbs, not nouns, spring to mind. I need to wonder, to
be amazed, to be in awe, to renew myself in the rhythm of creation, to perceive
its beauty, to rejoice in creation and to praise the source of life. Listing
these verbs reminds me of people who believe that God has created them and all
creatures who trust in the goodness of creation.
42
Quoted by Matthew Fox, The Spiritual Journal of the Homosexual and just
about Everyone Else, in A Challenge to Love: Gay and Lesbian Catholics
in the Church, ed. R. Nugent (New York, Crossroads, 1983), pp. 189-204.
43
Sara Maitland, Ways of Relating, in The Way, 26 Feb.1986,
pp.124-33.
44
Phyllis Trible, God and the Rhetoric of Sexuality (Philadelphia,
Fortress, 1978), especially Journey of a Metaphor, pp. 31-59. The
linguistic basis of comparison is the link between rah mim (compassion),
and rehem, (womb): Our metaphor lies in the semantic movement from
a physical organ of the female body to a psychic mode of being... To the
responsive imagination this suggests the metaphor of love as selfless
participation in life. The womb protects and nourishes but does not possess and
control. It yields its treasure in order that wholeness and well-being may
happen. (p. 33).
45
Phyllis Trible, ibid., p. 40.
46
The Hebrew text suggests the redemptive task of women specifically as
participating in Gods motherhood. Yet this is frequently obliterated from
the commentaries by alternative translations or even emendations of the text.
47
The metaphor is also found in Isaiah 2.49, where again the focus is on the
motherly, uterine-based compassion of Jesus: even if the compassion of earthly
mothers fails (as it did in Lamentations 4.10), the womb-love for the child of
Jahweh will not fail.
48
See Caroline Bynum, Jesus as Mother: Studies in the Spirituality of the High
Middle Ages, Berkeley and Los Angeles, University Press of California,
1982.
49
Frances Young, Can TheseDryBonesLive? (London, SCM, 1984), p.50.
50
Elizabeth Moltmann-Wendel, The Women around Jesus (London, SCM, 1982),
pp. 37-48.
51
For example, in the Liber de Ortu Beatae Virginis Mariae, ch. 13, in
Les Évangiles A pocryphes, textes et documents, eds. Herne
et Lejas, (Paris, 1911), pp. 96ff.
52.
Such was the joy of Henry VIII of England in 1537, when the baby Edward VIII
was born, that the boys mother, Queen Jane, died almost unnoticed (J. J.
Scarisbrick,Henry VIII, London, Eyre and Spottiswoode, 1968), p. 353.
53.
See Ann Oakley, Women Confined: Towards a Sociology of Childbirth York,
Bantam, 1976. Positive attitudes are developed by - among others - Sheila
Kitzinger, The Experience of Natural Childbirth, London, Penguin, 1978.
54.
Thus R. Brown, J. A. Fitzmyer, R. E. Murphy, Jerome Biblical Commentary,
vol. i, (London Geoffrey Chapman, 1968), p. 75.
55
Quoted by Mary Daly, Gyn/Ecology (Boston, Beacon, 1978), p. 258: source
is Adrienne Rich, Of Woman Born (New York, W. W. Norton, 1976), p. 168.
56
Thus Mary Hayter, The New Eve in Christ: The Use and A buse of the Bible in
the Debate about Women in the Church (London, SPCK, 1987), p. 114.
57
Mary Daly, The Qualitative Leap, in Quest, I April 1975, p.
126.
58
ibid.
59
Mary Condren, Patriarchy and Death, in Womanspirit Bonding,
eds. Janet Kalven and Mary Buckley (New York, Pilgrim Press, 1984), p.10,
quoting M. Eliade, The Rites and Symbols of Initiation (New York, Harper
and Row, 1975), p. 30.
60
Nancy Jay, Sacrifice as Remedy for Having Been born as Woman, in
Immaculate and Powerful: TheFemale in Sacred image and SavingReality,
eds. Clarissa W. Atkinson, Constance R. Buchanan and Margaret R. Miles
(Boston, Beacon, 1985), pp. 283-301.
61
Charlotte Perkins Gilman,HisReligion andHers: TheFaithof ourFathers and the
Work of our Mothers (London, 1924), p. 160.
62
Simone Weil, Some Reflections on theLove of God, in Gateway to God, op.
cit., p. 80.
63
Simone Petrement, Simone Weil, tr. R. Rosenthal (London and Oxford,
Mowbrays, 1976). For her asceticism and attitude to eating, see Judith Van
Herik, Simone Weils Religious Imagery: How Lookmg Becomes
Eating, in Immaculate and Powerful, op. cit., pp. 260-82; also Ann
Loades, Searching For Lost Gins: Explorations in Christian Feminism
(London, SPCK, 1987), pp. 43-57.
64
Hildegarde of Bingen, in Scivias (Santa Fe, NM, Bear and Co. 1986), pp.
13-14.
65
Frances Young, Can these Dry Bones Live? (London, SCM, 1984), p. 58.
66 D.
Soelle, To work and To Love (Philadelphia, Fortress, 1984), p. 75.
67
The theme is explored by Carol Ochs, An Ascent To Joy: Transforming Deadness
of Spirit (Indiana, University of Notre Dame Press, 1986). She touches on
the theme in Women and Spirituality (New Jersey, Rowman and Allaheld,
1983) p. 82, as well as in Symbols of Death and Life, in
Crosscurrents, vol. 33, no. 4 (1985), pp. 387-92. She uses the symbols
of death developed by Robert Lifton, The Broken Connection: on Death and the
Continuity of Life, New York, Basic, 1980.
68
Carol Ochs, An Ascent to Joy, op. cit., p. 37.
69
ibid., pp. 45-ó.
70
Adrienne Rich, The Spirit of Place, in A Wild Patience Has Taken
Me Thus Far (New York, W. & W. Norton, 1981).
71 So
says Susan Brooks Thistlewaite, Metaphors for the Contemporary Church
(New York, Pilgrim Press, 1983), pp. 93-100.
72
Carter Heyward, The Redemption of God (Washington DC, University Press
of America, 1982), p. 15.
73
David Shields, Christ: A Male Feminist View, in Encounter,
vol. 45, no. 3 (1984), pp. 221-32.
74
Susan Brooks Thistlethwaite, Metaphors, p. 100.
75
Frances Young, Can These Dry Bones Live? op. cit., p. 21, quoting John
Steinbeck, To a God Unknown, New York, 1935.
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